SevenStreets review of the year

Everyman.

SevenStreets review of the year

Suffice to say we like everything. Well, nearly everything. But we picked out a few cultural highlights from 2011 to remind you of some gems.

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Theatres Under The Hammer

Pull up a chair. No, why not take the whole row. Place your bids tomorrow for a slice of Everyman history, and all your world could be a stage…

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The Final Curtain

Not a dry eye in the house? You bet. Tori Hywel-Davies remembersone very special day – and the end of an era for the Everyman…

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Review: Macbeth at the Everyman

With the wrecking ball waiting in the wings, the Everyman’s final production has had an incident-packed route to the stage. But can they escape the Scottish play’s cruel portents to deliver a fitting farewell?

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For One (Radical) Night Only

When the city’s most passionate, creative and challenging new performers get together under the City of Radicals banner, you can expect one very memorable evening indeed…

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Arts Council England 2011: Funding, cuts and Liverpool

Our first impression on who wins and who loses out from the latest round of Arts Council England funding decisions.

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Review: Dead Heavy Fantastic at the Everyman

Is Dead Heavy Fantastic another entry into the scouseploitation genre? No, it’s something much more interesting.

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They Call Her Natasha – Review

A musical based on the songs of Elvis Costello. Sung by a woman. Accidents will happen? Not a chance, says Alan O’Hare…

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Review: John Hegley at the Liverpool Everyman

John Hegley’s new show at the Everyman was less a performance and more of a couple of hours with your favourite teacher.

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Review: John Shuttleworth at the Liverpool Everyman

A world with John Shuttleworth in it is a friendlier world and The Man With No More Rolls is as comforting – if battered – as the famous tan leather jacket.

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