While it’s miles away from Polanski’s best, this talky drama is worth seeing, if only for the acting.
In Step Theatre's Departure Lounge is a remarkably tight, confident and entertaining production.
Clooney's been nommed for an Academy award, but is his latest worth writing an acceptance speech for? Vinny Lawrenson Woods finds out.
Mogadishu's gripping portrayal of modern school life is fast, furious and funny - but flawed.
An extraordinary life, a lasting legacy, a singularly complex individual. But does the new J. Edgar biopic capture its leading character in all his dubious glory?
Ashtrays thrown against the wall, slideshows and dissonant rhythms. It's all in a night's work for Gary Lucas's Beefheart masterclass at the Rodewald.
Steve McQueen's study of sex addiction starring Michael Fassbender and Carey Mulligan may look good, but it's an ultimately shallow film.
What would it be like to plot your life through photos of yourself with celebrities? The Open Eye's new exhibition, Richard and Famous, shows us.
Is Filini's Lightning Lunch deal worth it? We don't think so - for them or for us.
Vinny Lawrenson-Woods manages to sit through The Iron Lady for the SevenStreets review. We only wish he'd get off the fence...
This ode to Hollywood’s silent era may well be the best film you’ll see all year, writes Kristian Doyle.
We took a trip down Woolton way to sample a neighbourhood bistro making all the right noises, but is Caveau a cave of forgotten dreams?
Gayna Rose Madder heads to Stanhope Street's The Gallery to take in cult surrealist Naïve John's brand new exhibition.
Gayna Rose Madder avoids pre-Christmas 'Mad Friday' by checking out one of Liverpool's most intriguing new bands.
A numbing explosion of food, noise, colour, smells, booze and gluttony awaits us at Liverpool One's all-you-can-eat buffet.
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